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This topic contains:
- overall comments and recommendations
- details about A Prairie Home Companion's classification
and consumer advice lines
- a review of A Prairie Home Companion completed
by Young Media Australia (YMA) on 3 October 2006.
Age recommendations
| Children under 13 |
Not recommended due to sexual references, them
and language |
| Children over the age of 13 |
Parental guidance recommended |
About the movie
This section contains details about the movie, including its classification
by the Office of Film and Literature Classification (OFLC) and the
associated consumer advice lines.
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Name of movie
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A Prairie Home Companion
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Rating
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PG
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Consumer advice lines
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Mild coarse language, Mild crude humour
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Length
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105 minutes
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YMA review
This review of the movie A Prairie Home Companion contains
the following information:
A synopsis of the story
The film depicts the fictionalised final broadcast of A
Prairie Home Companion , an actual live radio
programme in the US . It takes us backstage to get
a behind the scenes look at the cast who comprise the
show. Over the course of the evening we are introduced
to the Johnson sisters Yolanda (Meryl Streep) and Rhonda
(Lily Tomlin) and Yolanda's daughter Lola (Lindsay
Lohan) who over the course of the evening finally begins
to see some value in the show.
We meet Dusty (Woody Harrelson) and Leftie (John C.
Reilly) a pair of quarrelsome, yet friendly, cowboys
whose crude humour is not only legendary but is also
the bane of the stage manager's existence as he strives
to conduct the show in a conscientious Christian manner.
We see the frustration of the heavily pregnant, production
manager Molly (Maya Rudolph) who tries desperately to
keep the show's extremely relaxed host (Garrison Keillor)
on track, despite the high emotions (or lack thereof)
surfacing over the course of the evening.
We get to know the bumbling private detective turned door
man Guy Noir (Kevin Kline) who spends half the night wishing
he could seduce the Angel of Death (Virginia Madsen) and
the other half trying to figure out a way to save the show
from The Axeman (Tommy Lee Jones) whose Texas company plans
to turn the site into a parking garage.
Themes
Children and adolescents may react adversely at
different ages to themes of crime, suicide, drug and
alcohol dependence, death, serious illness, family
breakdown, death or separation from a parent, animal
distress or cruelty to animals, children as victims,
natural disasters and racism. Occasionally reviews
may also signal themes that some parents may simply
wish to know about.
Death
Use of violence
Research shows that children are at risk of learning
that violence is an acceptable means of conflict resolution
when violence is glamourised, performed by an attractive
hero, successful, has few real life consequences, is
set in a comic context and / or is mostly perpetrated
by male characters with female victims, or by one race
against another.
Repeated exposure to violent content can reinforce the
message that violence is an acceptable means of conflict
resolution. Repeated exposure also increases the risks
that children will become desensitised to the use of
violence in real life or develop an exaggerated view
about the prevalence and likelihood of violence in their
own world.
There is some violence in this movie including:
- Lola writes a poem about suicide and
explicitly talks about overdose and connecting a hose
to a tailpipe
- reference to a Rottweiler biting an
orang-utan's bottom.
- the Angel of death explains how she
was killed in a car accident.
- the Axeman is killed in a car crash
on his way to the airport (crash not shown).
Material that may scare or disturb children
Under eight
Children under eight are most likely to be frightened
by scary visual images, such as monsters, physical transformations,
the death of a parent or child abandoned or separated
from parents, children or animals being hurt or threatened
and / or natural disasters.
It is unlikely that anything in this movie would scare
or disturb children under the age of eight.
Over the age of eight
Children aged eight to thirteen are most likely
to be frightened by realistic threats and dangers,
violence or threat of violence and / or stories in
which children are hurt or threatened.
Children over the age of thirteen are most likely
to be frightened by realistic physical harm or threats,
molestation or sexual assault and / or threats from aliens
or the occult.
Some older children and young adolescents, could be
concerned by the discussions of death and suicide listed
above.
Product placement
None of concern
Sexual references
There are some sexual references in this movie, including:
- Dusty sings a song with some lyrics
about licking a woman.
- Guy describes a tight T-shirt that the
Angel of Death was wearing. He says that Mt. Rushmore
never looked better and that both Jefferson and
Lincoln looked very bloated and happy. He also mentions
that her skirt was so tight you could read the embroidery
on her underwear.
- “I'll give you my moonshine if you show
me your jugs” (referring to breasts).
- Dusty makes a comment about riding bareback,
which the stage manager and many of the radio listeners
interpret in a sexual way.
- Dusty says that God created women with “three
boobs”. When one turns out to be useless He uses it
to create the male's penis.
- a beautiful young waitress is said to have
offered a Grandfather sex, but the Grandfather says “I'll
take the soup”.
- a bull is reputed to mate over 200 times
a year. A wife tells her husband to watch the bull
so he can learn how. The man replies that it is one
hell of a bull, but that he doesn't always mate with
the same cow.
- there is a joke about Viagra and hardened
criminals
- a man believes that his wife has died
because although the sex is the same, the dishes are
stacking up
- Dusty makes a joke about what an elephant
says to a naked man: “It's cute but can you breathe
through that thing?”
Nudity and sexual activity
There is some nudity and sexual activity in this movie,
including:
- Yolanda tries to get the host to notice
her as she is dressing for the show and repeatedly
flashes her bra, adjusts her top and poses to show
as much cleavage as possible
- Guy lifts up Molly's top to expose her
belly to a few of the performers, and to criticise
her for becoming another unmarried mother
- a performer and Evelyn, the sandwich lady,
are kissing passionately in the corridor. After his performance
the guy goes to his dressing room to light candles, to
play romantic music, organise massage oil and strip down
to his boxers to await Evelyn. He dies before she arrives
and people comment how he “was loaded for Evelyn”.
- Dusty tells Leftie that “people can
see your butt crack.”
Use of substances
There is some use of substances in this movie, including:
- Guy and Molly down glasses of champagne.
- there is an advertisement for beer and
it is also referred to a number of times in song.
- various characters smoke cigarettes.
Guy attempts to roll his own.
Coarse language
There is some coarse language in this movie, including:
- hell
- damn
- bitches
- holy shit
- bastard.
There is also quite a bit of name calling with Dusty
and Leftie referring to each other in terms such as moron,
dumb and idiot.
The movie's message
A Prairie Home Companion has an extremely
unusual style, as it often seems that you are just watching
a series of unrelated conversations as opposed to a plot.
Consequently younger viewers would be confused and probably
unable to follow along. The film will likely appeal only
to a very select audience including avid listeners of
the radio show and fans of Garrison Keillor.
The main messages from this movie are that all good
things must come to an end and that, despite advancements
in technology there is still great value in doing things
the old-fashioned way.
Values in this movie that parents may wish to reinforce
with their children include:
- patience
- determination
- teamwork
- loyalty.
Some parents may wish to discuss Lola's obsession with
suicide, what it could mean and its possible ramifications.

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