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This topic contains:
- overall comments and recommendations
- details about A Good Woman's classification
and consumer advice lines
- a review of A Good Woman completed by Young
Media Australia (YMA) on 24 June 05.
Overall comments and recommendations
A Good Woman is based on Oscar Wilde's Lady
Windermere's Fan and will appeal to an older,
mature audience. Children and young adolescents will
probably find the film both boring and confusing.
| Children under 13 |
Due to its themes this film is not appropriate
for children under the age of thirteen |
| Children over the age of 13 |
Children aged 13-15 would benefit from parental
guidance when seeing this movie |
About the movie
This section contains details about the movie, including its classification
by the Office of Film and Literature Classification (OFLC) and the
associated consumer advice lines.
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Name of movie
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A Good Woman
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Rating
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PG
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Consumer advice lines
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Mature themes
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Length
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94 minutes
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YMA review
This review of the movie A Good Woman contains
the following information:
A synopsis of the story
A Good Woman , set in the 1930s, tells the
story of New Yorker Stella Erlynne (Helen Hunt), who
is rumoured to have slept with, been involved with, or
been the mistress of many of the city's most prominent
men. She leaves the States penniless, and arrives in
Italy hoping to use an old personal connection to re-establish
herself.
In Almalfi she meets Robert Windemere (Mark Umbers),
an extremely rich American, newly married to the love
of his life, Meg (Scarlett Johansson). Meg is a very
pretty, sweet and innocent young wife completely devoted
to her husband. Due to behaviour and circumstance it
begins to look as though Robert and Stella are having
an affair, and this notion is helped swiftly along by
the prying eyes and gossiping mouths of Almalfi's high
society. Meanwhile Meg is doing her best to ward off
the continuous advances made by Lord Darlington (Stephen
Campbell Moore), a renowned playboy and one of Robert's
close friends.
Rumours abound and it looks as though marriages and lives
will be torn apart until an unlikely friend helps Robert
and Meg learn some very valuable lessons about idle gossip
and true understanding.
Use of violence
Research shows that children are at risk of learning
that violence is an acceptable means of conflict resolution
when violence is glamourised, performed by an attractive
hero, successful, has few real life consequences, is
set in a comic context and / or is mostly perpetrated
by male characters with female victims, or by one race
against another.
Repeated exposure to violent content can reinforce the
message that violence is an acceptable means of conflict
resolution. Repeated exposure also increases the risks
that children will become desensitised to the use of
violence in real life or develop an exaggerated view
about the prevalence and likelihood of violence in their
own world.
The film contained only one instance of violence, when
Robert punches Lord Darlington in the face. Fighting
stops when Stella appears in the doorway.
Material that may scare children
Children under eight are most likely to be frightened
by scary visual images, such as monsters, physical transformations,
the death of a parent or child abandoned or separated
from parents, children or animals being hurt or threatened
and / or natural disasters.
Children aged eight to thirteen are most likely
to be frightened by realistic threats and dangers,
violence or threat of violence and / or stories in
which children are hurt or threatened.
Children over the age of thirteen are most likely
to be frightened by realistic physical harm or threats,
molestation or sexual assault and / or threats from aliens
or the occult.
There are no scary scenes in this film.
Sexual references
There are many sexual references in this movie:
- In New York Stella is seen by the wives
of the men she allegedly seduced as nothing more
than a glorified whore. They mention finding her hairpins
on their floors and her hair in their beds.
- In Italy Stella is constantly referred
to as: “a common prostitute with no principles.” The ‘refined
women' continually allude to the countless men she
has slept with and the numerous marriages she has ruined.
- Stella is constantly surrounded by the
suggestion of promiscuity: lounging on her bed and wearing
lingerie while conducting a meeting; shopping in a jewellery
store and nearly asking to be kissed, walking into a
yacht club and rubbing a man's chest, shopping for the
most revealing and risqué dresses in town, etc.
- Robert is told by a maid that Lady Erlynne
(Stella) will see him upstairs “in her bedroom”. When
Robert mentions that he will “just take a minute” she
and another maid share a look and begin to laugh.
- Lord Darlington walks very closely behind
a pretty maid and ‘accidentally' rubs up against her
as she enters a room.
- Lord Darlington says to Meg: “How can I seduce you
when you're always bringing your husband along?”
Nudity and sexual activity
There are a couple of scenes, including:
- Robert comes out of the shower wearing
only his towel. Meg, wearing a flimsy negligee, approaches
him and together they fall back on the bed, with
her straddling his torso. They begin to kiss passionately
and roll around, implying that they are about to
have sex.
- On one occasion, both Meg and Stella wear the same
extremely revealing dress; low-cut both in the front
as well as in the back. The dress, in light of the
times, causes quite a stir and is the topic of much
conversation.
Use of substances
Numerous characters are seen constantly smoking and
drinking throughout the film. Also:
- a range of wines is served in varying situations:
while having ordinary meals, lounging at the club, playing
cards, on board a yacht, at parties, in restaurants,
etc. Stella asks Robert at one stage “Should we be
drinking this early in the day?”
- Cigarettes are most common among the male characters
of the film, especially the older gentlemen, some of
whom seemed to be smoking wherever they were.
Coarse language
There is one instance of mild coarse language: “Take
the damn thing.”
The movie's message
The movie's main message is that there can often be
logical explanations for what may appear to be illogical
behaviour. If parents view this movie with older teenagers,
they could point out the damage that can be done by spreading
or listening to idle gossip.

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