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This topic contains:
- overall comments and recommendations
- details about House of Flying Daggers' classification
and consumer advice lines
- a review of House of Flying Daggers completed
by Young Media Australia (YMA) on 17 February 2005.
Overall comments and recommendations
The House of Flying Daggers is spoken in Mandarin
with subtitles, and is rated M. It is an action, drama,
adventure, love story that contains adult themes, frequent
stylised martial arts violence, some bloody violence,
discreet sexuality, low level sexual assault, and some
intoxicated behaviour.
While most adults would probably find the movie entertaining
from start to finish, it is most suited to the sixteen
year onwards age group. It contains intrigue, a spectacular
dance sequence, martial arts sequences that go beyond
simple fight and into the realm of modern dance, and
stunningly elaborate costumes, sets and scenery. People
who enjoyed Crouching Tiger Hidden Dragon will
probably enjoy The House of Flying Daggers.
| Children under 13 |
Due to adult themes, the film's frequent use of
violence, scenes containing bloody violence, a scene
involving sexual assault, and a scene involving out
of control intoxicated behaviour, The House of
Flying Daggers is not recommended for children
under the age of thirteen years. |
| Children aged 13-15 |
Some adolescents between the ages of thirteen
and fifteen years may be ok to see this movie. However,
parents may wish to keep in mind that the model provided
by the movie is of a very attractive hero and heroine
engaging in frequent, ‘beautiful' martial arts with
limited consequences, and discuss this with their
children. |
| Children over the age of 15 |
Should be ok to see this movie, however some parental
guidance as above, may still be helpful. |
About the movie
This section contains details about the movie, including its classification
by the Office of Film and Literature Classification (OFLC) and the
associated consumer advice lines.
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Name of movie
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House of Flying Dragons
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Rating
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M
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Consumer advice lines
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Medium level violence
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Length
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118 minutes
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YMA review
This review of the movie House of Flying Daggers contains
the following information:
A synopsis of the story
The House of Flying Daggers is set in the
dying days of the Tang Dynasty 859 A.D. The film begins
with two government guards, Jin (Takeshi Kaneshiro) and
Leo (Andy Lau) investigating a blind dancer, Mei (Zhang
Ziyi), whom they believe to be a member of the Flying
Daggers. The Flying Daggers are a Robin Hood type resistance
movement waging a guerrilla insurgency against a corrupt
and decadent government. When Jin visits the brothel
where Mei works, he happens upon one of its patrons attacking
Mei. He saves her from the attack, but arrests her and
puts her in jail.
Shortly after her arrest, an unknown assailant, who
turns out to be Jin, breaks into the prison, overpowers
the guards, frees Mei and the pair escapes on horseback
into the surrounding countryside. Jin, who is regarded
somewhat of a local playboy uses his charms in an attempt
to convince Mei that he really opposes the corrupt government
and only wishes to see Mei to safety. But when Mei sleeps,
Jin sneaks off to secretly rendezvous with Leo and report
his progress in getting Mei to reveal the secret location
of the Flying Daggers. A romance between Jin and Mei
develops, and they continue to escape from pursuing government
guards across fields of flowers and through forests of
whispering bamboo. They are finally rescued by the Flying
Daggers, who are revealed to be all women.
After they have reached the headquarters of the Flying
Daggers, the film takes a number of twists and turns and
the end of the film see a climactic unfolding of jealousy
and betrayal culminating in a bloody confrontation between
Mie and Leo and a death battle between Jin and Leo.
Use of violence
Research shows that children are at risk of learning
that violence is an acceptable means of conflict resolution
when violence is glamourised, performed by an attractive
hero, successful, has few real life consequences, is
set in a comic context and / or is mostly perpetrated
by male characters with female victims, or by one race
against another.
Repeated exposure to violent content can reinforce the
message that violence is an acceptable means of conflict
resolution. Repeated exposure also increases the risks
that children will become desensitised to the use of
violence in real life or develop an exaggerated view
about the prevalence and likelihood of violence in their
own world.
The House of Flying Daggers contains stylised
martial arts violence throughout. The violence is glamorised
by both male and female heroes who appear young, attractive
and extremely proficient in employing violence to overpower
their enemies. Most of the violence, rather than being
senseless or brutish, promotes visual elegance and choreographed
ingenuity.
An example of stylised violence is when government guards
run across the tops of the bamboo trees while hurling
bamboo spears at the two heroes, then using the supple
bamboo to swoop down, in pole vaulting fashion to surround
Jin and Mie. At the same time the sound of the whispering
bamboo forest and the whooshing of bamboo spears plays
like an orchestrated piece of music.
The film also portrays acts of violence that are bloody
and gruesome, including:
- a drunken nobleman pays silver to watch
Mie dance, after which he sexually assaults Mie,
ripping her clothes and forcibly groping her.
- several scenes of physical assault showing
blood and gore
- a flying dagger embeds in the neck of
a victim
- flying daggers slashing throats, with
lots of blood gushing out from open wounds
- wooden stakes flying through the air
and impaling the necks of guards
- Mie being struck in the chest by a flying
dagger and then thrown from her horse
- Leo sexually assaults Mie. He then receives
a dagger in the back from one of the Flying Daggers
together with a warning about how a man can never force
himself upon a woman.
- a fierce sword battle between Leo and
Jin involving numerous wounds, blood spilling from
throats, mouths etc.
For the most part, and in keeping with the genre, the
film does not portray violence realistically. Characters
have superhuman powers that allow them to move at superhuman
speed, bend their bodies at unrealistic angles and run
through the air.
At times the film portrays real life physical consequences
of violent acts, such as government guards dying as a
result of the injuries they receive and Leo and Jin receiving
injuries from their final battle at the end of the film
such that they can barely walk.
At other times, however, the heroes absorb blows that would
normally debilitate. For example, in one scene a dagger
is embedded in Leo's shoulder; however he does not appear
to suffer any of its painful effects, and several hours
later, it is as if the wound had never occurred.
Material that may scare children
Under eight
Children under eight are most likely to be frightened
by scary visual images, such as monsters, physical transformations,
the death of a parent or child abandoned or separated
from parents, children or animals being hurt or threatened
and / or natural disasters.
In addition to the above-mentioned scenes, the following
could disturb children under the age of eight:
- Mie is shown a torture device; bamboo
poles are used to illustrate how the device will break
her bones if she does not cooperate
- lanced horseman try to spear and run
Mie down
- Mie and Jin are chased by guards who
repeatedly hurl bamboo spears, narrowly missing them
Aged eight to thirteen
Children aged eight to thirteen are most likely
to be frightened by realistic threats and dangers,
violence or threat of violence and / or stories in
which children are hurt or threatened.
Some of the above mentioned scenes could also disturb
children aged between eight and thirteen.
Over the age of thirteen
Children over the age of thirteen are most likely
to be frightened by realistic physical harm or threats,
molestation or sexual assault and / or threats from aliens
or the occult.
While the on-screen violence is continuous, the graphic
showing of blood and gore is infrequent. Children over
the age of thirteen years will probably be less fearful
of the on-scene violence; however, caution should still
be applied to children between the ages of thirteen and
fifteen years.
Sexual references
Several sexual references are made:
- references to Jin being a playboy, such
as “I'll die under a skirt”
- a statement in relation to gaining information
from Mie, “starting from the bottom” has sexual connotations
- Jin tells Mie that his name was Wind,
because he is free like the wind and would not be tied
down to one woman, but rather travels from one women
to the other.
Nudity and sexual activity
Sexual activity in The House of Flying Daggers is
implicit and mostly consists of an undercurrent of eroticism.
Examples of such scenes are:
- Mie and Jin hugging and kissing each
other on the mouth with Mie at one point exposing her
shoulder
- Jin and Mie make love in a field of
flowers. There is lots of heavy breathing, ripping
off of clothes, kissing and hugging, and both characters
are naked from the waist up with only Mie's exposed
back revealed to the camera.
Use of substances
The scene involving the drunken nobleman in the brothel
has a number of elements:
- he consumes copious amounts of alcohol
to the point where he is obnoxious, his speech is
slurred, his body sways and he repeatedly falls asleep
- at one point during the scene a drinking
game is played
- there is a tug of war with the nobleman
on one end of a rope, several women on the other
end and a small glass of alcohol in the middle. The
nobleman pulls the women over and consumes the alcohol.
- the viewer is left with the impression
that the nobleman's assault on Mie is a direct result
of having too much to drink
- as a result of his drunken behaviour,
the nobleman is arrested and verbally chastised by
Jin.
There are a couple of scenes involving Jin and Leo consuming
alcohol; both showing no signs of intoxication as a result.
In one scene Mie comments that Jin can hold his drink;
the inference being that she approves of this quality and
finds it appealing.
Coarse language
The film contains no coarse language.
The movie's message
The main take home message relates to people's willingness
to uphold their beliefs and ideals even at the expense
of their own lives, love or happiness.
Parents may wish to discuss the price that Jin, Mie
and Leo paid to uphold their beliefs and ideals. All
three had to continuously use violence, lie, cheat, deceive
and betray, all which were done under the pretence of
higher moral reasoning.
Parents may wish to discuss the real life consequences
resulting from violent acts such as the long term physical
and mental effects, and the mental pain and anguish suffered
by those indirectly affected by violent acts.

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