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House of Flying Daggers

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This topic contains:

  • overall comments and recommendations
  • details about House of Flying Daggers' classification and consumer advice lines
  • a review of House of Flying Daggers completed by Young Media Australia (YMA) on 17 February 2005.

Overall comments and recommendations

The House of Flying Daggers is spoken in Mandarin with subtitles, and is rated M. It is an action, drama, adventure, love story that contains adult themes, frequent stylised martial arts violence, some bloody violence, discreet sexuality, low level sexual assault, and some intoxicated behaviour.

While most adults would probably find the movie entertaining from start to finish, it is most suited to the sixteen year onwards age group. It contains intrigue, a spectacular dance sequence, martial arts sequences that go beyond simple fight and into the realm of modern dance, and stunningly elaborate costumes, sets and scenery. People who enjoyed Crouching Tiger Hidden Dragon will probably enjoy The House of Flying Daggers.

Children under 13 Due to adult themes, the film's frequent use of violence, scenes containing bloody violence, a scene involving sexual assault, and a scene involving out of control intoxicated behaviour, The House of Flying Daggers is not recommended for children under the age of thirteen years.
Children aged 13-15 Some adolescents between the ages of thirteen and fifteen years may be ok to see this movie. However, parents may wish to keep in mind that the model provided by the movie is of a very attractive hero and heroine engaging in frequent, ‘beautiful' martial arts with limited consequences, and discuss this with their children.
Children over the age of 15 Should be ok to see this movie, however some parental guidance as above, may still be helpful.

 

About the movie

This section contains details about the movie, including its classification by the Office of Film and Literature Classification (OFLC) and the associated consumer advice lines.

Name of movie

House of Flying Dragons

Rating

M

Consumer advice lines

Medium level violence

Length

118 minutes

YMA review

This review of the movie House of Flying Daggers contains the following information:

 

A synopsis of the story

The House of Flying Daggers is set in the dying days of the Tang Dynasty 859 A.D. The film begins with two government guards, Jin (Takeshi Kaneshiro) and Leo (Andy Lau) investigating a blind dancer, Mei (Zhang Ziyi), whom they believe to be a member of the Flying Daggers. The Flying Daggers are a Robin Hood type resistance movement waging a guerrilla insurgency against a corrupt and decadent government. When Jin visits the brothel where Mei works, he happens upon one of its patrons attacking Mei. He saves her from the attack, but arrests her and puts her in jail.

Shortly after her arrest, an unknown assailant, who turns out to be Jin, breaks into the prison, overpowers the guards, frees Mei and the pair escapes on horseback into the surrounding countryside. Jin, who is regarded somewhat of a local playboy uses his charms in an attempt to convince Mei that he really opposes the corrupt government and only wishes to see Mei to safety. But when Mei sleeps, Jin sneaks off to secretly rendezvous with Leo and report his progress in getting Mei to reveal the secret location of the Flying Daggers. A romance between Jin and Mei develops, and they continue to escape from pursuing government guards across fields of flowers and through forests of whispering bamboo. They are finally rescued by the Flying Daggers, who are revealed to be all women.

After they have reached the headquarters of the Flying Daggers, the film takes a number of twists and turns and the end of the film see a climactic unfolding of jealousy and betrayal culminating in a bloody confrontation between Mie and Leo and a death battle between Jin and Leo.

Use of violence

Research shows that children are at risk of learning that violence is an acceptable means of conflict resolution when violence is glamourised, performed by an attractive hero, successful, has few real life consequences, is set in a comic context and / or is mostly perpetrated by male characters with female victims, or by one race against another.

Repeated exposure to violent content can reinforce the message that violence is an acceptable means of conflict resolution. Repeated exposure also increases the risks that children will become desensitised to the use of violence in real life or develop an exaggerated view about the prevalence and likelihood of violence in their own world.

The House of Flying Daggers contains stylised martial arts violence throughout. The violence is glamorised by both male and female heroes who appear young, attractive and extremely proficient in employing violence to overpower their enemies. Most of the violence, rather than being senseless or brutish, promotes visual elegance and choreographed ingenuity.

An example of stylised violence is when government guards run across the tops of the bamboo trees while hurling bamboo spears at the two heroes, then using the supple bamboo to swoop down, in pole vaulting fashion to surround Jin and Mie. At the same time the sound of the whispering bamboo forest and the whooshing of bamboo spears plays like an orchestrated piece of music.

The film also portrays acts of violence that are bloody and gruesome, including:

  • a drunken nobleman pays silver to watch Mie dance, after which he sexually assaults Mie, ripping her clothes and forcibly groping her.
  • several scenes of physical assault showing blood and gore
  • a flying dagger embeds in the neck of a victim
  • flying daggers slashing throats, with lots of blood gushing out from open wounds
  • wooden stakes flying through the air and impaling the necks of guards
  • Mie being struck in the chest by a flying dagger and then thrown from her horse
  • Leo sexually assaults Mie. He then receives a dagger in the back from one of the Flying Daggers together with a warning about how a man can never force himself upon a woman.
  • a fierce sword battle between Leo and Jin involving numerous wounds, blood spilling from throats, mouths etc.

For the most part, and in keeping with the genre, the film does not portray violence realistically. Characters have superhuman powers that allow them to move at superhuman speed, bend their bodies at unrealistic angles and run through the air.

At times the film portrays real life physical consequences of violent acts, such as government guards dying as a result of the injuries they receive and Leo and Jin receiving injuries from their final battle at the end of the film such that they can barely walk.

At other times, however, the heroes absorb blows that would normally debilitate. For example, in one scene a dagger is embedded in Leo's shoulder; however he does not appear to suffer any of its painful effects, and several hours later, it is as if the wound had never occurred.

Material that may scare children

Under eight

Children under eight are most likely to be frightened by scary visual images, such as monsters, physical transformations, the death of a parent or child abandoned or separated from parents, children or animals being hurt or threatened and / or natural disasters.

In addition to the above-mentioned scenes, the following could disturb children under the age of eight:

  • Mie is shown a torture device; bamboo poles are used to illustrate how the device will break her bones if she does not cooperate
  • lanced horseman try to spear and run Mie down
  • Mie and Jin are chased by guards who repeatedly hurl bamboo spears, narrowly missing them
Aged eight to thirteen

Children aged eight to thirteen are most likely to be frightened by realistic threats and dangers, violence or threat of violence and / or stories in which children are hurt or threatened.

Some of the above mentioned scenes could also disturb children aged between eight and thirteen.

Over the age of thirteen

Children over the age of thirteen are most likely to be frightened by realistic physical harm or threats, molestation or sexual assault and / or threats from aliens or the occult.

While the on-screen violence is continuous, the graphic showing of blood and gore is infrequent. Children over the age of thirteen years will probably be less fearful of the on-scene violence; however, caution should still be applied to children between the ages of thirteen and fifteen years.

Sexual references

Several sexual references are made:

  • references to Jin being a playboy, such as “I'll die under a skirt”
  • a statement in relation to gaining information from Mie, “starting from the bottom” has sexual connotations
  • Jin tells Mie that his name was Wind, because he is free like the wind and would not be tied down to one woman, but rather travels from one women to the other.

Nudity and sexual activity

Sexual activity in The House of Flying Daggers is implicit and mostly consists of an undercurrent of eroticism. Examples of such scenes are:

  • Mie and Jin hugging and kissing each other on the mouth with Mie at one point exposing her shoulder
  • Jin and Mie make love in a field of flowers. There is lots of heavy breathing, ripping off of clothes, kissing and hugging, and both characters are naked from the waist up with only Mie's exposed back revealed to the camera.

Use of substances

The scene involving the drunken nobleman in the brothel has a number of elements:

  • he consumes copious amounts of alcohol to the point where he is obnoxious, his speech is slurred, his body sways and he repeatedly falls asleep
  • at one point during the scene a drinking game is played
  • there is a tug of war with the nobleman on one end of a rope, several women on the other end and a small glass of alcohol in the middle. The nobleman pulls the women over and consumes the alcohol.
  • the viewer is left with the impression that the nobleman's assault on Mie is a direct result of having too much to drink
  • as a result of his drunken behaviour, the nobleman is arrested and verbally chastised by Jin.
There are a couple of scenes involving Jin and Leo consuming alcohol; both showing no signs of intoxication as a result. In one scene Mie comments that Jin can hold his drink; the inference being that she approves of this quality and finds it appealing.

Coarse language

The film contains no coarse language.

The movie's message

The main take home message relates to people's willingness to uphold their beliefs and ideals even at the expense of their own lives, love or happiness.

Parents may wish to discuss the price that Jin, Mie and Leo paid to uphold their beliefs and ideals. All three had to continuously use violence, lie, cheat, deceive and betray, all which were done under the pretence of higher moral reasoning.

Parents may wish to discuss the real life consequences resulting from violent acts such as the long term physical and mental effects, and the mental pain and anguish suffered by those indirectly affected by violent acts.

 


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