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This topic contains:
- overall comments and recommendations
- details about The Aviator's classification and consumer
advice lines
- a review of The Aviator completed by Young
Media Australia (YMA) on
7 February 05
Overall comments and recommendations
The Aviator is made for an adult audience,
many of whom would find the film both entertaining and
interesting, particularly for those who have an interest
in aviation history or the life of Howard Hughes.
| Children under 15 |
Due to the adult themes, low level coarse language,
sexual situations and references, nudity, domestic
violence, inferred sexual abuse, and a plane crash
containing disturbing images of graphic injuries, The
Aviator is not recommended for children under
the age of fifteen years. Most children under the
age of fifteen years would not find the film's subject
matter of interest. |
| Children over the age of 15 |
Adolescents between the ages of fifteen and seventeen
years, while capable of coping with the film's content
and the adult themes, may not consider the film to
be of great entertainment value, unless interested
in the film's subject matter. |
About the movie
This section contains details about the movie, including its classification
by the Office of Film and Literature Classification (OFLC) and the
associated consumer advice lines.
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Name of movie
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The Aviator
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Rating
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M
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Consumer advice lines
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Mature themes, Low level coarse language
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Length
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170 minutes
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YMA review
This review of the movie The Aviator contains the following
information:
A synopsis of the story
Set in the 1920s and 1930s, The Aviator tells
the story of Howard Hughes, aviation pioneer and film
producer / director.
The movie opens with an eight-year old Howard Hughes
standing naked in a bath while his mother rubs soap all
over his body in a suggestive manner, implying sexual
abuse and incest. As a young adult, Hughes is portrayed
as a flamboyant womaniser who frequents Los Angeles night
clubs.
The film explores his relationships with Hollywood megastars
Katharine Hepburn (Cate Blanchett) and Ava Gardner (Kate
Beckinsale) and his battle with obsessive compulsive
disorder / germ phobia. Hughes' relationship with Hepburn
ends when she meets and falls in love with Spencer Tracey,
while his relationship with Gardner ends as a result
of Hughes' mental deterioration.
Throughout the story, Hughes continues his passion for
aviation designing and building numerous planes for the
air force as well as a high speed aircraft to fuel his
own ambitions of being the fastest man on earth. At one
point, Hughes crashes a test XF-11 spy plane into Beverly
Hills burning 70 percent of his body and narrowly escaping
death.
The last third of the film portrays Hughes' corporate
battle with Pan Am's Juan Trippe (Alec Baldwin) who is
supported by corrupt Senator, Ralph Owen Brewster (Alan
Alda). At the same time, Hughes' mental condition continues
to deteriorate.
Use of violence
Research shows that children are at risk of learning
that violence is an acceptable means of conflict resolution
when violence is glamourised, performed by an attractive
hero, successful, has few real life consequences, is
set in a comic context and / or is mostly perpetrated
by male characters with female victims, or by one race
against another.
Repeated exposure to violent content can reinforce the
message that violence is an acceptable means of conflict
resolution. Repeated exposure also increases the risks
that children will become desensitised to the use of
violence in real life or develop an exaggerated view
about the prevalence and likelihood of violence in their
own world.
There is some physical violence in The Aviator,
for example:
- there is domestic violence between Hughes
and Ava Gardner. In one scene, Hughes slaps Gardner
across the face with considerable force, knocking her
backwards. In retaliation, Gardner picks up an object
and strikes Hughes across the face knocking him to
the ground. The consequences of the domestic violence
were presented as more psychological than physical.
- a nightclub brawl starts with one man
throwing a punch at another and ends with the entire
nightclub erupting in an all out brawl. The fight was
presented in a more comical than realistic manner with
no real life consequences resulting.
- Hughes' mistress Faith Domergue repeatedly
rams her car into the passenger side of Hughes' car
where Ava Gardner is the passenger.
- several scenes from Hughes' film Hells
Angels , including dogfights between aircraft,
machine gun fire, exploding aircraft and a man
committing suicide by jumping to his death.
A number of scenes involved psychological and verbal
abuse in the form of putdowns and cruel psychological
manipulation, for example:
- Hughes tells Hepburn that other than
being an actress she is worthless, which has a crushing
effect on her
- Trippe and Senator Brewster manipulate
situations to take advantage of Hughes' phobia and
cause him great mental stress
- intimidation is employed on a number
of occasions by Senator Brewster in an effort to break
Hughes' spirit
Material that may scare children
Under eight
Children under eight are most likely to be frightened
by scary visual images, such as monsters, physical transformations,
the death of a parent or child abandoned or separated
from parents, children or animals being hurt or threatened
and / or natural disasters.
The film contained several scenes capable of disturbing
young children including the domestic violence described
above, and scenes from the 1930s film Hells Angels .
A scene that could be very disturbing for children of
any age, and many adults, was when Hughes crashes his
XF-11 spy plane into Beverly Hills . The plane rips through
a number of houses before coming to rest and exploding
in flames. Hughes is trapped inside the plane and must
break a number of bones to escape from the cockpit. He
manages to crawl away from the wreckage as his body is
engulfed in flames. The crash appears very realistic
with the sound of snapping bones and sizzling smouldering
flesh.
Younger children may also be distressed by images relating
to Hughes' germ phobia and the deterioration of his mental
health. For example, Hughes locks himself in a room for
a number of weeks where he remains naked (his upper torso
is badly scarred), constantly rambling to himself and
urinating into milk bottles, which he lines up along
a wall. In another scene Hughes washes his hands with
such ferocity that he causes them to bleed.
Aged eight to thirteen
Children aged eight to thirteen are most likely
to be frightened by realistic threats and dangers,
violence or threat of violence and / or stories in
which children are hurt or threatened.
The above-mentioned scenes could also disturb children
between the ages of eight and thirteen years. The opening
scene of the film implying sexual abuse and incest may
also be of concern to children in this age group.
Over the age of thirteen
Children over the age of thirteen are most likely
to be frightened by realistic physical harm or threats,
molestation or sexual assault and / or threats from aliens
or the occult.
The scenes of most concern for this age group are those
involving sexual abuse, domestic violence, the deterioration
of Hughes' mental health and the crash of the XF-11 spy
plane.
Sexual references
There were low level sexual references throughout the
film:
- the opening scene of the movie, outlined
above, implying sexual abuse and incest
- Hughes states to a woman that she is “hitting
on all six cylinders”. He says his only wish is to
make her feel good, while rubbing his hand up and down
the inside of her thigh
- Hughes is presented as having a fixation
on women's breasts. During the filming of Hells Angels he
waits eight months for clouds to appear that resemble “breasts
full of milk”
- fifteen year old Faith Domergue is hired
as Hughes' mistress. When he interviews her, Hughes
has Domergue turn around under a spotlight so that
he can inspect her body.
- while entertaining a group of air force
officers, Hughes suggests that none of them should
have trouble receiving sex that night from the women
who were present.
- in a humorous scene, Hughes confronts
the Censor Board, who want to ban Hughes' film The Outlaw ,
due to the degree of exposure of Jane Russell's breasts
(referred to as “mammaries”). Hughes employs a professor
to take photographs, measure and compare the exposure
of breasts of other actresses—Hughes wins the case.
Nudity and sexual activity
There was some nudity and sexual activity:
- Hughes is naked in a number of scenes,
relating to periods when he is overcome by his germ
phobia. He creates a germ free environment, which include
him remaining naked. Hughes is fully exposed from both
behind and front although the groin is not shown.
- Hughes and Hepburn lie on a couch embracing
and kissing, both fully clothed
- Hughes kisses Gardner 's neck and attempts to grope
her breasts.
Use of substances
There were a number of scenes involving the consumption
of cigarettes and cigars, and occasional scenes involving
the consumption of alcohol.
Coarse language
Low level coarse language was used throughout the film
including phrases such as:
- ‘sons of bitches'
- ‘goddam son of a bitch'
- ‘gives me the willies'
- ‘smooth titties'
- ‘ever screwed a coloured girl?'
- ‘get that crazy bitch out of here'
- ‘he can kiss both sides of my ass'
Juan Trippe says ‘fuck' on one occasion.
The movie's message
Generally speaking, the take home messages presented
in The Aviator are too complex for children
to comprehend and the film contains little if any relevance
for most children and adolescents under the age of seventeen
years. The film's take home messages revolves around
adult themes including political power, political corruption,
corporate monopoly, mental illness, loneliness, depression,
wealth and power. Take home messages of benefit to older
adolescents include Hughes as the underdog triumphing
over corporate and government giants.
Values parents may wish to encourage include Hughes'
relentless endurance through adversity; no matter what
the situation Hughes always found an alternative and
always refused to give up.

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