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This topic contains:
- overall comments and recommendations
- details about Cellular's classification and
consumer advice lines
- a review of Cellular completed by
Young Media Australia (YMA) on February 9 2005.
Overall comments and recommendations
Cellular is a drama / thriller which contains
frequent strong violence towards men, women and young
children and reckless, life-endangering use of vehicles.
It would appeal to many adults and adolescents, probably
catering more to a male audience. It is fast paced and
well-made with a high level of tension that entertains
the viewer from start to finish, some well-placed jokes
and witty humour. The quality of acting is good, with
believable performances and fast paced stunts. However,
it is not a film for people who do not enjoy portrayals
of violence or terror.
| Children under the age of 15 |
Due to the film's frequent use of violence, the
manner in which the violence is portrayed, terror,
sexual references and frequent use of medium level
coarse language Cellular is not recommended
for children under the age of fifteen years. |
| Children over the age of 15 |
Older adolescents should be able to view this
movie, depending on their susceptibility to violence
and terror. |
About the movie
This section contains details about the movie, including its classification
by the Office of Film and Literature Classification (OFLC) and the
associated consumer advice lines.
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Name of movie
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Cellular
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Rating
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M
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Consumer advice lines
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Medium level violence, Low level coarse language |
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Length
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94 minutes
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YMA review
This review of the movie Cellular contains the
following information:
A synopsis of the story
The film begins with Jessica Martin (Kim Basinger) walking
her son to his school bus stop. Shortly after Jessica
arrives back at her home, five men enter her house by
smashing down the back door with a sledge-hammer, shoot
Jessica's house maid in the back and kidnap Jessica.
Jessica is imprisoned in the attic of a house at an
out of the way location. While Jessica is surveying her
surroundings, a kidnapper bursts through the door with
a sledge-hammer and smashes into a hundred pieces the
one and only phone in the attic. From the smashed phone
on the floor Jessica hears a faint dial tone, and after
a number of failed attempts she manages to connect enough
wires to make a random connection. The connection is
to a cell phone owned by Ryan, a self-centred, apathetic,
surfer type, who cruises Santa Monica Pier using his
cell phone to film bikini clad women. After Ryan initially
mocks Jessica's pleas for help, he agrees to go to the
nearest police station and hand his phone over to the
police. However, a series of unfortunate events prevents
him doing this and instead he finds himself speeding
to Jessica's son's school to prevent him from being kidnapped.
The rest of the film becomes a non-stop race against
time across Los Angeles as Ryan and Los Angeles police
officer Sergeant Bob Mooney battle low cell phone batteries,
obnoxious lawyers, traffic jams and interrupted cell
phone signals in an effort to beat the kidnappers to
their intended targets.
Use of violence
Research shows that children are at risk of learning
that violence is an acceptable means of conflict resolution
when violence is glamourised, performed by an attractive
hero, successful, has few real life consequences, is
set in a comic context and / or is mostly perpetrated
by male characters with female victims, or by one race
against another.
Repeated exposure to violent content can reinforce the
message that violence is an acceptable means of conflict
resolution. Repeated exposure also increases the risks
that children will become desensitised to the use of
violence in real life or develop an exaggerated view
about the prevalence and likelihood of violence in their
own world.
Violent acts were portrayed throughout the film and
kidnappers are extremely threatening, ruthless and vicious,
particularly their leader Ethan, (Jason Statham). In
general the film shows the physical real life consequences
associated with the direct use of physical violence,
such as physical injuries. However, it did not necessarily
portray the emotional effects resulting from violent
acts.
Examples of violence included:
- the kidnappers shoot Jessica's housekeeper
in the back execution style
- Ethan pins Jessica against a wooden
post by tying a leather belt around her neck and the
post
- the kidnappers threaten to kill Jessica's
son in front of her unless she meets their demands
- the kidnappers threaten to cut the boy's
throat if Ryan did not meet their demands.
- the kidnappers viciously beat Jessica's
husband leaving him with a battered and bruised face
- Ethan threatens to kill Jessica in front
of her husband, “I'll blow her brains all over you
right now”
- Ethan often head-butts his victims in
both a ruthless and vicious manner, showing that he
takes great pleasure in doing so
- the kidnappers ruthlessly execute a
number of drug dealers, by shooting them in the head
while they are lying on the ground with their hands
tied behind their backs.
- Jessica kills one of the kidnappers
using a piece of broken glass to sever a major artery;
she leaves him to bleed to death.
- Ryan slams one of the kidnapper's face
into the dashboard and repeatedly slams the car door
against his head.
- there are several car chases which result
in numerous car accidents and pile ups although no
injuries are shown
- while male characters dominated the
use of violence, Jessica did on a number of occasions
employ violence and was successful.
Material that may scare children
Under eight
Children under eight are most likely to be frightened
by scary visual images, such as monsters, physical transformations,
the death of a parent or child abandoned or separated
from parents, children or animals being hurt or threatened
and / or natural disasters.
Most, if not all, of the above-mentioned violent acts
would scare children under the age of eight years, and
may possibly be psychologically harmful, specifically
the acts of violence against Jessica and her family.
The violence is frequent, and very graphic and vicious
in nature.
Aged eight to thirteen
Children aged eight to thirteen are most likely
to be frightened by realistic threats and dangers,
violence or threat of violence and / or stories in
which children are hurt or threatened.
The violence
in Cellular is vicious, ruthless and realistic,
chiefly targeting a mother, her son and the boy's
father. As such, it could still scare or disturb
children between the ages of eight and thirteen years.
Over the age of thirteen
Children over the age of thirteen are most likely
to be frightened by realistic physical harm or threats,
molestation or sexual assault and / or threats from aliens
or the occult.
Children over the age of thirteen years are better equipped
to distinguish appearance from reality than younger children,
and therefore less likely to be scared by the violent
acts in the film. However, due to the viciousness of
the violence and its frequency, its ability to scare
or psychologically affect younger adolescents should
not be discounted.
Product placement
Cellular includes considerable product placement
for cellular phones made by the Nokia. On several occasions
a video cell phone with the brand name Nokia fills the
entire screen. Verbal reference was also made to a number
of technical aspects of the phone.
Sexual references
A number of sexual references, mainly in jest, were
made throughout the film. For example:
- a man talking to a woman wearing a sheer,
tightly fitting top that displays her erect nipples,
makes the comment, “Is it chilly out here?”
- the same woman is referred to later as “the
girl with nipples”
- a man wearing a Blue Whale promotional
costume states to a group of passing girls “do you
know that a Blue Whale's got an eleven foot penis”
- a man talking about his car states “it
can take a girl's panties down in 3.5 seconds”.
Nudity and sexual activity
No nudity was shown, however several scenes showed women
wearing skimpy revealing swim suits.
In one scene, Jessica was attacked by one of the kidnappers
in a way that suggested he was going to sexually abuse
her and then kill her. The scene showed the man forcing
himself on Jessica before she managed to push him off.
Use of substances
There is no use of substances.
Coarse language
Medium level coarse language was used throughout the
film. Examples included:
- bullshit
- shit
- screw this
- bitch
- dickhead
- cocky little piece of shit
The movie's message
The film has the obvious message of crime doesn't pay
and that good triumphs over evil. Other take home messages
include the transformation of Ryan from a lazy, self-centred
jerk, to a man with qualities of steadfastness, empathy
and trustfulness, risking his life for a woman he has
never seen or met. Also, Jessica is presented as a superhero
who displays incredible strength to protect her family.
Not only does she manage to emotionally keep herself
together, but fights off a sexual attack, uses her wits
to kill one of the kidnappers and escapes to free her
son.
Parents may with to encourage values displayed by Ryan,
such as empathy, selflessness and resourcefulness and
Jessica's display of sacrifice and selflessness in protecting
her family.
Parents may wish to discuss the nature and type of violence
displayed in this film, and the likely physical and emotional
effects on its victims. Parents should be aware of the
possible influence that the film's continuous use of
Nokia mobile phone products may have on adolescent viewers,
and discuss how advertising of this type can influence
people to purchase and use the advertised product.

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