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This topic contains:
- overall comments and recommendations
- details about Thunderbirds's classification and consumer advice
lines
- a review of Thunderbirds completed by Young
Media Australia (YMA) on 20 September 2004.
Overall comments and recommendations
Thunderbirds is a children’s action adventure film in the style of Spy Kids. Many children will love this film, the colourful flashy Thunderbird rockets, Lady Penelope’s pink flying wonder car, the gadgets and the fact that the film centres on the heroic exploits of three children.
From an adult’s point of view Thunderbirds is not quality viewing, has little to offer visually or intellectually, with a thin story line and poor acting. Fans of the original TV series will probably be disappointed. While the film features all of the original Thunderbird crafts in an updated format,
including the hover bikes, the film is not about international rescue and nail biting rescue missions, but rather children
running around with access to Thunderbird machines.
| Children under 8 |
Due to the frequency of violence, and the appearance
and manner of The Hood, this film is unsuitable
for children under the age of 8 years and could
be quite frightening for children at the younger
end of this age bracket. |
| Children aged 8-11 |
Parental guidance is recommended for children aged
8–11. |
| Children over the age of 11 |
Children over the age of 11 should be ok to see
this movie with or without parental guidance. They
are better equipped to deal with the violence and
scary images, and are ready to absorb the underlying
themes and take home messages. |
About the movie
This section contains details about the movie, including its classification
by the Office of Film and Literature Classification (OFLC) and the
associated consumer advice lines.
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Name of movie
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Thunderbirds
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Rating
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PG
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Consumer advice lines
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Low level violence
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Length
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95 minutes
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YMA review
This review of the movie Thunderbirds contains the following information:
A synopsis of the story
‘The Thunderbirds’ consist of ex-astronaut
and billionaire Jeff Tracy, his five sons and five space
age rocket powered machines which are also referred to
as Thunderbirds. The Thunderbirds live on Tracy Island
at a secret location somewhere in the South Pacific.
Thunderbirds, the movie, describes the exploits of
the three children, Alan, Fermat and Tintin. The Thunderbirds
have an evil nemesis, The Hood, who has red glowing
eyes and telekinetic powers. The Hood manages to track
the Thunderbirds to their secret island and disables
Thunderbird 5, an orbiting space station manned by John
Tracy. The remaining Thunderbirds rush to assist, leaving
Alan, Fermat and Tintin behind on Tracy Island. The Hood
then takes control of Tracy Island, and begins to use
the remaining Thunderbird vehicles to rob London’s
banks.
Alan, Fermat and Tintin manage to elude The Hood, and
lead his henchmen astray over Tracy Island. In the meantime,
Lady Penelope and Parker arrive to take matters into
hand. Unfortunately, Lady Penelope and Parker are overcome
by The Hood’s telekinetic powers and imprisoned
in a freezer. After leading The Hood’s henchmen
on a merry chase, Alan and company are captured and forced
to join Lady Penelope in the freezer. The Hood then commandeers
Thunderbird 2 and sets off for England and its banks.
Alan, Fermat, Tintin and Lady Penelope manage to escape
and pursue The Hood to London where they confront him
robbing the Bank of London.
Use of violence
Research shows that children are at risk of learning
that violence is an acceptable means of conflict resolution
when violence is glamourised, performed by an attractive
hero, successful, has few real life consequences, is
set in a comic context and / or is mostly perpetrated
by male characters with female victims, or by one race
against another.
Repeated exposure to violent content can reinforce
the message that violence is an acceptable means
of conflict resolution. Repeated exposure also increases
the risks that children will become desensitised
to the use of violence in real life or develop an
exaggerated view about the prevalence and likelihood
of violence in their own world.
There is quite a lot of violence in this film. Most
of the violence is presented in a comical, cartoon,
slapstick manner with added sound effects making the
violence reminiscent of a Loony Tunes cartoon. Other
violence is more overtly threatening, and at other
times in an even darker style.
Some examples of violence are:
• the three children slide through a series of ducted
pipes, which The Hood flushes with pressurised fire (the
pipes resembling the inside of a jet engine) with the
intention of incinerating the three children
• The Hood used his telekinetic abilities to inflict
severe pain on Parker and Lady Penelope.
At other times the use of violence was inferred or suggested.
For example, while attempting to apprehend the children,
The Hood says “make sure you get the guidance processor
before you lose your temper” inferring that the
henchman was free to harm the children after he obtained
what The Hood wanted and not before.
The violence performed by the good heroes was always
stylish, if not always successful, with Lady Penelope
performing amazing feats of martial arts without putting
a hair out of place. The villains on the other hand appeared
slow and clumsy with the exception of The Hood whose
violent acts appeared covert, evil and sinister.
Other than a single cut to the top of John Tracy’s
head there were no real life consequences resulting from
acts of violence. People were punched in the face, kicked
in the groin, tortured and blown up, yet no one received
any injury greater than ruffled hair, with the exception
of Lady Penelope, who did not even suffer this!
Material that may scare children
Under eight
Children under eight are most likely to be frightened
by scary visual images, such as monsters, physical
transformations, the death of a parent or child abandoned
or separated from parents, children or animals being
hurt or threatened and / or natural disasters.
There are several scenes that could scare children under
the age of eight:
• the appearance and mannerism of The Hood is quite
terrifying.
• when employing his telekinetic abilities, The
Hood’s eyes glow red and change to a reptilian
appearance.
• the appearance and mannerisms of The Hood’s
Number one henchman was also very scary, threatening
and intimidating. He is clad in black leather with leather
armour covering his chest and appears to have super human
strength (able to crash through a steel plated door).
The man’s manner is highly aggressive towards adults
and children and at times sexually threatening and intimidating
towards women.
• a number of scenes throughout the film involve
Alan, Fermat and Tintin being chased by the bad guys
• a scorpion crawls over Alan’s shoulder
• a nest of wasps is flung into a henchman’s
face
• there are loud explosions; an oil rig explodes
into flames with men trapped on platforms.
• a mono rail car crashes with adults and children
trapped inside
• Alan and The Hood hang by their fingers while
suspended above large mining machine with fast spinning
cutting blades
Aged eight to thirteen
Children aged eight to thirteen are most likely to be
frightened by realistic threats and dangers, violence
or threat of violence and / or stories in which children
are hurt or threatened.
The main concern for children with in this age range
is the images and actions of The Hood and his number
one henchman. The younger the child is within this age
range, the more likely it is that they will be disturbed
by these images and actions.
Over the age of thirteen
Children over the age of thirteen are most likely to
be frightened by realistic physical harm or threats,
molestation or sexual assault and / or threats from
aliens or the occult.
Children over the age of thirteen should
have the ability to cope with the violent images and
characters presented in Thunderbirds, and distinguish
the fantasy from reality.
Sexual references
There are a number of implicit covert sexual inferences
made throughout the film. Two examples are:
• Lady Penelope is tied to a pole and The Hood’s
number one henchman gloats over her body conveying his
evil sexual desires through his facial expressions; a
very nasty man.
• the film’s bad girl Transom has desires
of her own towards another character referred to as Brains.
While Brains is tied to a chair, Transom straddles herself
across his waist, making suggestive comments. However,
Brains is saved by an alarm going off to which Transom
replies ‘that’s not fair, just when things
were starting to sizzle’
• Lady Penelope is presented as very stylish and
sexy
Nudity and sexual activity
There is no actual nudity or sexual activity but the
following scenes with Lady Penelope are suggestive:
• walks into a crowded hall of adolescent boys immediately
grabbing the attention of every boy in the room all of
who stare with mouths open.
• lies in a bath completely covered with bubbles
with only the top of her shoulders visible.
• removes the underwire from her bra to enable Parker
to pick a lock.
Use of substances
The film contains no reference to or use of substances.
Coarse language
The film contains no coarse language, but there is some
name-calling between schoolboys “thunder turd”, “diaper
boy”.
The movie's message
The film’s main underlying theme relates to a
young adolescent boy coming of age physically, mentally
and sexually. The film is also about parents allowing
their children to be independent and make the right choices
and decisions.
Throughout the film the three children and the Thunderbirds
team repeatedly display values of friendship, trust,
loyalty, teamwork and responsibility. Parents may wish
to discuss and promote these values during post film
discussion.

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